“Not until the first hours of May 29, 1711, could they finally act. On that day, Jackson stood watchful and uneasy on his master’s boat, as he and John Rogers maneuvered it across the dark waters of the Sound." - Allegra Di Bonaventure, For Adam’s Sake, p.153
In was the
middle of the night when John Jackson, father of Hempsted slave Adam Jackson, sailed
from New London, CT to Long Island, NY with his former owner, John Rogers, at
the helm. Once on Long Island, John would sneak into the home of his wife’s
owner and, without waking the other occupants, find his wife, Joan Jackson, and
their two children inside. The group would leave the house, return to the boat
and sail back to New London undetected. The next day Joan and the two children
would be spirited away to Rhode Island while John Jackson and John Rogers faced
an angry New London court– where no one doubted who had done the daring deed.
At the
time of this dramatic event Adam Jackson was 11 years old. It will be nearly 16
years before Adam will be enslaved at Hempsted House.
So here is
the question – Is this amazing tale an appropriate story to tell at the
Hempsted House? By the definition of
many historic home interpretations the answer is clearly no. The story did not
take place within the Hempsted property and had little impact on the occupants
at the time. Yet if you were visiting the Hempsted House in New London and
wanted to learn about Colonial slavery wouldn’t you want to hear this
story?
Certainly
the story and its aftermath must have helped to form Adam Jackson’s view of his
world. Adam would have heard of the later capture of Joan, his mother, and two
of his siblings within months of the dramatic rescue and their immediate sale
to yet another family. He may have gotten regular updates of his father’s
extraordinary efforts to gain Joan’s freedom over the next 6 years and even
longer to regain the freedom of Jack, his little brother, and Rachel, his
little sister, in the Massachusetts courts system. He would also see his
parents and siblings struggle with the limits of freedom for free men and women
of color in Colonial America. For Adam
the idea and reality of freedom must have been complex.
Joshua
Hempsted himself chronicled the murder of a 9 year old slave named Zeno.
Whipped to death by her master, Zeno’s death and the heavily attended trial of
her well-heeled master grabbed the attention of all of New London. While
clearly the community disapproved, in the end her owner, the upper crust
Nicholas Lechmere, would escape punishment. Joshua and Adam would have known
all of the players in this drama personally, and it is hard to image that this
life experience did not shape both their views as a slave owner and a slave –
yet none of this took place within the Hempsted House nor involved its
occupants.
Which leads to our question: is this an
appropriate story to share at the Hempsted House? What do you think?
Robert Kiihne of RK Exhibits will be participating in the
teen audience research this summer and will draft the exhibitions component of
the interpretive plan in the fall.
The question -- whether to tell the story -- presents some of the challenges we (I am the site administrator at Hempsted) currently face in telling the story of the Hempsted Houses. So little time, so much history! Depending on the interests of our visitors, we currently do on occasion tell this story in connection with Adam Jackson as we believe it must have deeply influenced him and illustrates the complex relationships in the community. And we will tell it next Friday (July 19) during a special evening tour focusing on colonial attitudes toward love, romance and fidelity.
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